My materials originate from rural communities. After the corn harvest, I meticulously select the husks, washing and dyeing them with natural pigments. Once dried, they undergo a transformation: cut, folded, ironed, assembled, and embroidered—each piece affixed to linen like brush strokes. This labor-intensive process relies solely on needle and thread, eschewing glue entirely, and spans several months.

The creation of these works has been a collective endeavor, involving many volunteers, including women who are incarcerated. In "Prison Womb," they contributed by crafting small bundles of husks, embroidering initials, names, and personal symbols. Through their interventions, they infused the pieces with their stories, expressing a longing to be seen beyond their confinement.